Art Patronage and Reputation
A lover of fine arts and especially sculpture, Cardinal Riario’s artistic choices foreshadow the arrival of High Renaissance in Rome. His gigantic residence, influenced by the Florentine architecture, is the first building of the new monumental style which prevailed in the Holy City under Julius II. Riario is also credited for noticing the talent of the young Michelangelo. In 1496, the Sleeping Cupid was treacherously sold to him as an ancient piece: the aesthetic prelate discovered the cheat, but was so impressed by the quality of the sculpture that he invited the artist to Rome, where Michelangelo worked for the rest of his life.
Raffaele Riario is generally considered a prelate typical of his era: indifferent in religious matters, rather a statesman than a priest, rather a Maecenas than a theologian..
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Famous quotes containing the words art, patronage and/or reputation:
“Why art thou cast down, O my soul? and why art thou disquieted
within me? hope thou in God: for I shall yet praise him, who is the
health of my countenance, and my God.”
—Bible: Hebrew Psalm XLII (l. XLII, 11)
“She loved money, but could occasionally part with it, especially to men of learning, whose patronage she affected. She often conversed with them, and bewildered herself in their metaphysical disputes, which neither she nor they themselves understood.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Our culture, therefore, must not omit the arming of the man. Let him hear in season, that he is born into the state of war, and that the commonwealth and his own well-being require that he should not go dancing in the weeds of peace, but warned, self- collected, and neither defying nor dreading the thunder, let him take both reputation and life in his hand, and, with perfect urbanity, dare the gibbet and the mob by the absolute truth of his speech, and the rectitude of his behaviour.”
—Ralph Waldo Emerson (1803–1882)