Creation and Conception
Akira Toriyama initially based most of the characters on those of the Chinese novel Journey to the West, and redeveloped one of his earlier one-shot manga series, Dragon Boy. To be creative with the character, Toriyama stated that he designed Goku not as a monkey like the Journey to the West character, but as a human-looking boy with a monkey's tail.
During this period of the series, Toriyama placed less emphasis on the imagery, simplifying the lines and sometimes making things "too square"; found problems determining the colors; and sometimes altered them mid-story. For the female characters, Toriyama created women he deemed "beautiful and sexy", but also "strong". Going against the normal convention that the strongest characters should be the largest in terms of physical size, he designed many of Dragon Ball's most powerful characters with small statures.
Additional characters (such as Kame-Sen'nin and Kuririn) and martial arts tournaments were added to give the manga a greater emphasis on fighting. Knowing readers would expect Goku to win the tournaments, Toriyama had him lose the first two while continuing to plan an eventual victory. When having fights in the manga, Toriyama had the characters go to a place where nobody lived to avoid difficulties in drawing destroyed buildings. In order to advance the story quickly, he also gave most fighters the ability to fly, and later granted Goku teleportation. Toriyama created Androids #17 and 18 after Kazuhiko Torishima, his former editor, was disappointed with Androids #19 and 20 as villains. When Torishima belittled them as well, he then created Cell. Cell was also altered due to outside opinion, being given the ability to transform when Toriyama's then-current editor, Yū Kondō, said he was "ugly". The idea to have two characters "fuse" together was suggested by Toriyama's long-time friend and fellow manga artist Masakazu Katsura, leading to the Fusion (フュージョン?) technique.
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Famous quotes containing the words creation and, creation and/or conception:
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“As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into Silence. Silence is audible to all men, at all times, and in all places. She is when we hear inwardly, sound when we hear outwardly. Creation has not displaced her, but is her visible framework and foil. All sounds are her servants, and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after.”
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“Consider what effects which might conceivably have practical bearings we conceive the object of our conception to have. Then our conception of these effects is the whole of our conception of the object.”
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