Creation and Conception
Akira Toriyama initially based most of the characters on those of the Chinese novel Journey to the West, and redeveloped one of his earlier one-shot manga series, Dragon Boy. To be creative with the character, Toriyama stated that he designed Goku not as a monkey like the Journey to the West character, but as a human-looking boy with a monkey's tail.
During this period of the series, Toriyama placed less emphasis on the imagery, simplifying the lines and sometimes making things "too square"; found problems determining the colors; and sometimes altered them mid-story. For the female characters, Toriyama created women he deemed "beautiful and sexy", but also "strong". Going against the normal convention that the strongest characters should be the largest in terms of physical size, he designed many of Dragon Ball's most powerful characters with small statures.
Additional characters (such as Kame-Sen'nin and Kuririn) and martial arts tournaments were added to give the manga a greater emphasis on fighting. Knowing readers would expect Goku to win the tournaments, Toriyama had him lose the first two while continuing to plan an eventual victory. When having fights in the manga, Toriyama had the characters go to a place where nobody lived to avoid difficulties in drawing destroyed buildings. In order to advance the story quickly, he also gave most fighters the ability to fly, and later granted Goku teleportation. Toriyama created Androids #17 and 18 after Kazuhiko Torishima, his former editor, was disappointed with Androids #19 and 20 as villains. When Torishima belittled them as well, he then created Cell. Cell was also altered due to outside opinion, being given the ability to transform when Toriyama's then-current editor, Yū Kondō, said he was "ugly". The idea to have two characters "fuse" together was suggested by Toriyama's long-time friend and fellow manga artist Masakazu Katsura, leading to the Fusion (フュージョン?) technique.
Read more about this topic: Raditzu
Famous quotes containing the words creation and, creation and/or conception:
“As a natural process, of the same character as the development of a tree from its seed, or of a fowl from its egg, evolution excludes creation and all other kinds of supernatural intervention.”
—Thomas Henry Huxley (182595)
“For a woman to get a rewarding sense of total creation by way of the multiple monotonous chores that are her daily lot would be as irrational as for an assembly line worker to rejoice that he had created an automobile because he tightened a bolt.”
—Edith Mendel Stern (19011975)
“[M]y conception of liberty does not permit an individual citizen or a group of citizens to commit acts of depredation against nature in such a way as to harm their neighbors and especially to harm the future generations of Americans. If many years ago we had had the necessary knowledge, and especially the necessary willingness on the part of the Federal Government, we would have saved a sum, a sum of money which has cost the taxpayers of America two billion dollars.”
—Franklin D. Roosevelt (18821945)