Creation and Conception
Akira Toriyama initially based most of the characters on those of the Chinese novel Journey to the West, and redeveloped one of his earlier one-shot manga series, Dragon Boy. To be creative with the character, Toriyama stated that he designed Goku not as a monkey like the Journey to the West character, but as a human-looking boy with a monkey's tail.
During this period of the series, Toriyama placed less emphasis on the imagery, simplifying the lines and sometimes making things "too square"; found problems determining the colors; and sometimes altered them mid-story. For the female characters, Toriyama created women he deemed "beautiful and sexy", but also "strong". Going against the normal convention that the strongest characters should be the largest in terms of physical size, he designed many of Dragon Ball's most powerful characters with small statures.
Additional characters (such as Kame-Sen'nin and Kuririn) and martial arts tournaments were added to give the manga a greater emphasis on fighting. Knowing readers would expect Goku to win the tournaments, Toriyama had him lose the first two while continuing to plan an eventual victory. When having fights in the manga, Toriyama had the characters go to a place where nobody lived to avoid difficulties in drawing destroyed buildings. In order to advance the story quickly, he also gave most fighters the ability to fly, and later granted Goku teleportation. Toriyama created Androids #17 and 18 after Kazuhiko Torishima, his former editor, was disappointed with Androids #19 and 20 as villains. When Torishima belittled them as well, he then created Cell. Cell was also altered due to outside opinion, being given the ability to transform when Toriyama's then-current editor, Yū Kondō, said he was "ugly". The idea to have two characters "fuse" together was suggested by Toriyama's long-time friend and fellow manga artist Masakazu Katsura, leading to the Fusion (フュージョン?) technique.
Read more about this topic: Raditzu
Famous quotes containing the words creation and, creation and/or conception:
“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (18881957)
“If they had said that the sun or the moon had gone out of the heavens, it could not have struck me with the idea of a more awful and dreary blank in creation than the words: Byron is dead!”
—Jane Welsh Carlyle (18011866)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (18921983)