Plot
Bart and Milhouse are thrilled to hear that a film version of their favorite comic book series, Radioactive Man, is in production. Rainier Wolfcastle, the star of the McBain films, is chosen to play Radioactive Man, and even more excitingly for the Springfield Elementary School children, the production moves to their town. A search is launched for a young actor to play Radioactive Man's sidekick Fallout Boy, and Bart auditions. Bart does well, but is rejected because he is an inch too short, and by this point Milhouse has already taken the part, albeit reluctantly.
A despondent Bart is told by Lisa that he is still needed as Milhouse's friend and confidant, and Bart eagerly accepts this new role. However, Milhouse finds his own job intolerable and disappears, right during the filming of the most expensive scene in the movie. The film is suspended while the townspeople search for Milhouse. Eventually Bart finds him in the treehouse, but despite encouragement from former child star Mickey Rooney, Milhouse gives up on his acting career. All production on the film is aborted, with the project bankrupt, thanks to price gouging and other unscrupulous conduct by the people of Springfield. Despite Rooney's stern lecture about their greed, Mayor Quimby insists the townspeople can not give any of the directors' money back to them, so the directors return to Hollywood — "where people treat each other right".
Read more about this topic: Radioactive Man (The Simpsons Episode)
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“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)