Reaction
Rabbit Fire is generally considered among Chuck Jones and Michael Maltese's best works, and is noted for its use of dialogue gags in lieu of the physical gags more typical in animation. Besides the two sequels to this film, a number of other notable Jones shorts, including Beanstalk Bunny and Ali Baba Bunny, paired quick-witted Bugs and self-serving Daffy with (or rather against) each other.
The "duck season/rabbit season" argument from this short became one of the most notable references of the Looney Tunes franchise, and has been analyzed both by scholars and by Jones himself (though it should be noted that this gag was actually used by Daffy against Porky 6 years earlier in the cartoon Duck Soup to Nuts). According to an essay by Darragh O'Donoghue, Rabbit Fire "stands in close relation to human experience, striving and generally failing to grasp an elusive quarry or goal.". Richard Thompson said that in the film, there is "the clearest definition of character roles: Elmer never knows what's going on; Bugs always knows what's going on and is in control of things; Daffy is bright enough to understand how to be in control, but never quite makes it." Jones himself refers to Rabbit Fire as a "corner" picture, among his works that, "as in turning a corner in a strange city, reveal new and enchanting vistas."
The short earned an honorable mention for animation historian Jerry Beck's list of The Fifty Greatest Cartoons: As Selected by 1000 Animation Professionals. Its 1952 sequel, Rabbit Seasoning, made the actual list at number 30. The style, setup, and plot of Rabbit Fire were adapted into the opening sequence of Warners' 2003 film Looney Tunes: Back in Action.
The non sequitur elephant character based on Joe Besser was the inspiration for Horatio the Elephant, a recurring character on PBS's Sesame Street.
Read more about this topic: Rabbit Fire
Famous quotes containing the word reaction:
“Children, randomly at first, hit upon something sooner or later that is their mother’s and/or father’s Achilles’ heel, a kind of behavior that especially upsets, offends, irritates or embarrasses them. One parent dislikes name-calling, another teasing...another bathroom jokes. For the parents, this behavior my have ties back to their childhood, many have been something not allowed, forbidden, and when it appears in the child, it causes high-voltage reaction in the parent.”
—Ellen Galinsky (20th century)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“Sole and self-commanded works,
Fears not undermining days,
Grows by decays,
And, by the famous might that lurks
In reaction and recoil,
Makes flames to freeze, and ice to boil.”
—Ralph Waldo Emerson (1803–1882)