Style
| This section does not cite any references or sources. |
Burnside had a powerful, expressive voice and played both electric and acoustic guitars (both with a slide and without). His drone-based style was a characteristic of North Mississippi hill country blues rather than Mississippi Delta blues. Like other country blues musicians, he did not always adhere to 12- or 16-bar blues patterns, often adding extra beats according to his preference. He called this "Burnside style" and often commented that his backing musicians needed to be familiar with his style in order to be able to play along with him.
His earliest recordings, like those of John Lee Hooker, sound very similar in their vocal and instrumental style. Many of his songs do not have chord changes, but use the same chord or repeating bass line throughout. He often played in open G tuning, using fingers only- no pick. His vocal style is characterized by a tendency to "break" into falsetto briefly (usually at the ends of long notes).
Like the bluesman T-Model Ford, Burnside utilized the stripped-down element of his music, playing up the rawness, emphasizing his image as a lifelong hard-drinking man, and singing songs of swagger and rebellion. Burnside collaborated in the late 1990s with The Jon Spencer Blues Explosion on the album A Ass Pocket of Whiskey. Consequently, he gained the attention of many within this underground music scene, cited as an influence by Hillstomp and covered on record by The Immortal Lee County Killers. Burnside's "Skinny Woman" was also interpolated into the song "Busted" by fellow Fat Possum musicians The Black Keys, who have listed Burnside as an influence on their music.
He also knew many toasts (African American narrative folk poems such as "Signifying monkey" and "Tojo Told Hitler") and frequently recited them between songs at his live concerts and on his recordings.
Read more about this topic: R. L. Burnside
Famous quotes containing the word style:
“No change in musical style will survive unless it is accompanied by a change in clothing style. Rock is to dress up to.”
—Frank Zappa (1940–1994)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“I never knew a writer yet who took the smallest pains with his style and was at the same time readable.”
—Samuel Butler (1835–1902)