Plot
The plot features a series of interlocking stories. Each vignette is introduced with a character that had sex with someone in the previous segment. The movie opens with a seventeen-year-old prostitute, Lolita (Hilary Swank) who hangs around outside movie premiere with another teen prostitute in the hopes of getting a picture of her idol, movie star Peter Blaine (Peter Dobson). After her friend is forcibly dragged off by a jealous boyfriend, Lolita wanders around by herself in the streets of Los Angeles. Then she ends up performing a sexual favor for a man who ends up knocking her unconscious.
The man, a young African American named Angel, is engaged in questionable criminal activities. He later ends up trying to flee Los Angeles after he makes a major mistake during a drug deal. He takes Julie, a young waitress (Meta Golding), with him. After they have sex in a stolen car while driving through a car wash, Julie rethinks her plans to escape with Angel. After she notices that a car filled with men has been shadowing them, she runs out of the car. Angel is killed by the men.
Sometime later, Julie is working in an upscale restaurant as a waitress. She waits on Richard (Chad Lowe) who ends up sexually assaulting her in the men's room. In the next vignette, Richard has a tryst with Kathy (Natasha Gregson Wagner), his boss's wife. Kathy has a non-exclusive relationship with her husband, Bobby (Bill Cusack), who has a girlfriend on the side. Bobby is sexually propositioned by Patrick (Stephen Mailer), a sexually aggressive and drug addicted gay man, who is the closeted Blaine's boyfriend. The last vignette features a grief-stricken Blaine seeking sexual favors and companionship from Lolita, who is still sporting a bruise from her encounter with Angel.
Read more about this topic: Quiet Days In Hollywood
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“Trade and the streets ensnare us,
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And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
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—Franz Grillparzer (1791–1872)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)