The Quentin Tarantino Film Festival, or QT-Fest, is a semi-annual film and multimedia event held by the Austin Film Society in Austin, Texas and attended by film director Quentin Tarantino. Most recently, the Alamo Drafthouse theater in downtown Austin, Texas has been the selected venue. The event usually takes place for a few days, and Tarantino screens a selection of his favorite films using prints he owns.
Usually he programs films to a theme such as 80's horror night or Italian crime films of the 70's. All films come from his private collection of prints and generally have played a part in the creation of his own films. He uses the film fest not only as a platform to show off his collection of rare film reels but also to point out forgotten genres, directors, actors or studios.
So far there have been 6 festivals, plus a "best of" featuring films shown in previous festivals. A very important aspect of the Quentin Tarantino Film Festivals in general is, that Tarantino introduces all the films himself, shows trailers for all kinds of films and discusses the films with attendees. His policy is that he doesn't talk about himself or his movies during the festival, which makes it hard for journalists or fans to gain information about projects he is currently working on. But as in the case of QT 5, he uses the festival to set the mood for coming projects or showcasing some of the influences on his work.
Read more about Quentin Tarantino Film Festival: Lineup Listings
Famous quotes containing the words quentin, tarantino, film and/or festival:
“He wrote me sad Mothers Day stories. Hed always kill me in the stories and tell me how bad he felt about it. It was enough to bring a tear to a mothers eye.”
—Connie Zastoupil, U.S. mother of Quentin Tarantino, director of film Pulp Fiction. Rolling Stone, p. 76 (December 29, 1994)
“Lets go to work.”
—Quentin Tarantino (b. 1963)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed.”
—Germaine Greer (b. 1939)