Play
First, the player deals eleven overlapping cards in a row. These cards form the reserve or terrace. After leaving a space below the terrace for the foundations, the player lays four cards in a row. The player then chooses which of these four cards starts the first foundation. The player places the chosen card on the foundation row, immediately fills the gap it left with a new card from the stock. The player adds five new cards beside these four to form the tableau.
The player builds the foundations in alternating colors, wrapping from King to Ace if necessary. The cards on the tableau are available to build either on the foundations, or on other cards in the tableau. Cards on the tableau are built down on each other, also in alternating colors, and the player immediately fills any gap with a card from the stock. The player moves one card at a time, and when building cards form a column, only the top card is available for play. The top card (the exposed card) of the terrace is the only card available for play and the player can only use it to build on the foundations.
When there are no more possible moves on the tableau, the stock is dealt one card at a time and placed on the wastepile, the top card of which is available to be built on the foundations or the tableau. The top card of the wastepile is also used to fill a gap on the tableau whenever it occurs. However, when the stock runs out, there is no redeal; the game ends soon after.
The player wins the game when all cards end up in the foundations—and looses when stuck after dealing the entire stock.
See also: solitaire terminologyRead more about this topic: Queen Of Italy
Famous quotes containing the word play:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“As the creative adult needs to toy with ideas, the child, to form his ideas, needs toys—and plenty of leisure and scope to play with them as he likes, and not just the way adults think proper. This is why he must be given this freedom for his play to be successful and truly serve him well.”
—Bruno Bettelheim (20th century)
“By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.”
—Arthur Miller (b. 1915)