Pythagoreanism - "Wheel of Birth" and Scientific Contemplation

"Wheel of Birth" and Scientific Contemplation

The Pythagoreans believed that a release from the "wheel of birth" was possible. They followed the Orphic traditions and practices to purify the soul but at the same time they suggested a deeper idea of what such a purification might be. Aristoxenus said that music was used to purify the soul just like medicine was used to purge the body. But in addition to this, Pythagoreans distinguished three kinds of lives: Theoretic, Practical and Apolaustic. Pythagoras is said to have used the example of Olympic games to distinguish between these three kind of lives. Pythagoras suggests that the lowest class of people who come to the games are the people who come to buy or sell. The next higher class comprises people who come to participate in the games. And the highest class contains people who simply come to look on. Thus Pythagoras suggests that the highest purification of a life is in pure contemplation. It is the philosopher who contemplates about science and mathematics who is released from the "cycle of birth." The pure mathematician's life is, according to Pythagoras, the life at the highest plane of existence.

Thus the root of mathematics and scientific pursuits in Pythagoreanism is also based on a spiritual desire to free oneself from the cycle of birth and death. It is this contemplation about the world that forms the greatest virtue in Pythagorean philosophy.

Read more about this topic:  Pythagoreanism

Famous quotes containing the words wheel of, wheel, birth and/or scientific:

    Even an attorney of moderate talent can postpone doomsday year after year, for the system of appeals that pervades American jurisprudence amounts to a legalistic wheel of fortune, a game of chance, somewhat fixed in the favor of the criminal, that the participants play interminably.
    Truman Capote (1924–1984)

    It might become a wheel spoked red and white
    In alternate stripes converging at a point
    Of flame on the line, with a second wheel below,
    Just rising, accompanying, arranged to cross,
    Through weltering illuminations, humps
    Of billows, downward, toward the drift-fire shore.
    Wallace Stevens (1879–1955)

    My demon,
    too often undressed,
    too often a crucifix I bring forth,
    too often a dead daisy I give water to
    too often the child I give birth to
    and then abort....
    Anne Sexton (1928–1974)

    Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.
    Vincent Van Gogh (1853–1890)