Production
| Episode | Broadcast date | Run time | Viewership |
|---|---|---|---|
| "Part One" | 25 October 1975 (1975-10-25) | 25:22 | 10.5 |
| "Part Two" | 1 November 1975 (1975-11-01) | 23:53 | 11.3 |
| "Part Three" | 8 November 1975 (1975-11-08) | 24:32 | 9.4 |
| "Part Four" | 15 November 1975 (1975-11-15) | 24:52 | 11.7 |
The story as originally written by Lewis Greifer was considered unworkable. As Greifer was unavailable to do rewrites, the scripts were completely rewritten by Robert Holmes. The pseudonym used on transmission was Stephen Harris. Pyramids of Mars contributes to one of the contradictions in the Doctor Who universe: the UNIT dating controversy.
The exterior scenes were shot on the Stargroves estate in Hampshire, which was owned by Mick Jagger at the time. The same location would be used during the filming of Image of the Fendahl. The new TARDIS console, which debuted in the preceding story Planet of Evil, does not appear again until The Invisible Enemy. Owing to the cost of setting up the TARDIS console room for the filming of only a handful of scenes, a new console set was designed for the following season. Tom Baker and Elisabeth Sladen improvised a number of moments in this story, most notably a scene in Part Four where the Doctor and Sarah start to walk out of their hiding place and then when they see a mummy, quickly dart back into it. Baker based the scene on a Marx Brothers routine.
Several scenes were deleted from the final broadcast. A model shot of the TARDIS landing in the landscape of a barren, alternative 1980 Earth was to be used in Part Two, but director Paddy Russell decided viewers would feel more impact if the first scene of the new Earth was Sarah's reaction as the TARDIS doors opened. Three scenes of effects such as doors opening and the Doctor materializing from the sarcophagus were removed from the final edit of Part Four because Russell felt the mixes were not good enough. These scenes were included on the DVD, along with an alternate version of the poacher being hunted down in Part Two, and a full version of the Osirian rocket explosion.
Although the name of Sutekh's race is pronounced "Osiran" throughout the serial, the scripts and publicity material spell it as "Osirian" in some places and as "Osiran" in others. Many fans use the "Osirian" spelling, as do some reference works such as the Battles in Time collectable card game and the Virgin Missing Adventures sequel novel The Sands of Time. Another member of the Osirian race also appears in the Big Finish Productions audio drama The Bride of Peladon.
Read more about this topic: Pyramids Of Mars
Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)