Music and Dance
Classical music forms, such as Hindustani classical music, are an important part of the cultural wealth of the Punjab. The Muslim musicians have contributed a large number of ragas to the repository of classical music. The most common instruments used are the Tabla and Harmonium.
Among the Punjabi poets, the names of Sultan Bahu, Bulleh Shah, Mian Muhammad Baksh, and Waris Shah and folk singers like Inayat Hussain Bhatti and Tufail Niazi, Alam Lohar, Sain Marna, Mansoor Malangi, Allah Ditta Lona wala, Talib Hussain Dard, Attaullah Khan Essa Khailwi, Gamoo Tahliwala, Mamzoo Gha-lla, Akbar Jat, Arif Lohar, Ahmad Nawaz Cheena and Hamid Ali Bela are well-known. In the composition of classical ragas, there are such masters as Malika-i-Mauseequi (Queen of Music) Roshan Ara Begum, Ustad Amanat Ali Khan, Salamat Ali Khan and Ustad Fateh Ali Khan. Alam Lohar has made significant contributions to folklore and Punjabi literature, by being a very influential Punjabi folk singer from 1930 until 1979.
For the popular taste however, light music, particularly Ghazals and folk songs, which have an appeal of their own, the names of Mehdi Hassan, Ghulam Ali, Nur Jehan, Malika Pukhraj, Farida Khanum, Roshen Ara Begum, and Nusrat Fateh Ali Khan are well-known. Folk songs and dances of the Punjab reflect a wide range of moods: the rains, sowing and harvesting seasons. Luddi, Bhangra and Sammi depict the joy of living. Love legends of Heer Ranjha, Mirza Sahiban, Sohni Mahenwal and Saiful Mulk are sung in different styles.
For the most popular music from the region, bhangra, the names of Abrar-Ul-Haq, Arif Lohar, Attaullah Khan Essa Khailwi, Jawad Ahmed, Legacy, and Malkoo are renowned.
Read more about this topic: Punjab, Pakistan
Famous quotes containing the words music and, music and/or dance:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)
“Navajo men and boys have an odd way of showing their friendship. When two young men meet at the trading post, a “Sing”, or a dance they greet each other, inquire about the health of their respective families, then stand silently some ten or fifteen minutes while one feels the other’s arms, shoulders, and chest.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)