Second Wave
A second wave of psychoanalytic film criticism associated with Jacqueline Rose emphasised the search for the missing object of desire on the part of the spectator: in Elisabeth Cowie's words, "the pleasure of fantasy lies in the setting out, not in the having of the objects".
As Post-structuralism took an increasingly pragmatic approach to the possibilities Theory offered, so too Joan Copjec criticised early work around the gaze in the light of the work of Michel Foucault. The role of trauma in cinematic representation came more to the fore,> and Lacanian analysis was seen to offer fertile ways of speaking of film rather than definitive answers or conclusive self-knowledge.
Read more about this topic: Psychoanalytical Film Theory
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