United States
In the United States, Mike Gold was the first to promote proletarian literature, in Max Eastman's magazine The Liberator (magazine) and later in The New Masses. The party newspaper, The Daily Worker also published literature, as did numerous other magazines like The Anvil, edited by Jack Conroy, Blast, and Partisan Review.
American examples of the proletarian novels include Mike Gold's Jews without Money (1930) and Agnes Smedley's Daughter of Earth (1929), and Robert Cantwell's Land of Plenty (1934). James T. Farrell, Howard Fast, The Last Frontier (1941), Albert Halper, Josephine Herbst, Albert Maltz, Tillie Olsen, and Meridel Le Sueur were other well-known proletarian writers.
Read more about this topic: Proletarian Literature
Famous quotes related to united states:
“Places where he might live and die and never hear of the United States, which make such a noise in the world,—never hear of America, so called from the name of a European gentleman.”
—Henry David Thoreau (1817–1862)
“The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn’t need that black woman right against him, shoulder to shoulder—in that cotton field, on the auction block, in the ghetto, wherever.”
—Maya Angelou (b. 1928)
“In the larger view the major forces of the depression now lie outside of the United States, and our recuperation has been retarded by the unwarranted degree of fear and apprehension created by these outside forces.”
—Herbert Hoover (1874–1964)
“Today’s difference between Russia and the United States is that in Russia everybody takes everybody else for a spy, and in the United States everybody takes everybody else for a criminal.”
—Friedrich Dürrenmatt (1921–1990)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)