Professional Wrestling

Professional wrestling (often shortened pro wrestling, or simply wrestling) is a mode of spectacle, combining athletics and theatrical performance. It takes the form of events, held by touring companies, which mimic a title match combat sport. The unique form of sport portrayed is fundamentally based on classical and "catch" wrestling, with modern additions of striking attacks, strength-based holds and throws, and acrobatic maneuvers; much of these derive from the influence of various international martial arts. An additional aspect of combat with improvised weaponry is sometimes included to varying degrees.

The matches have predetermined outcomes in order to heighten entertainment value, and all combative maneuvers are worked in order to lessen the chance of actual injury. These facts were once kept highly secretive but are now a widely accepted open secret. By and large, the true nature of the performance is not discussed by the performing company in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude.

Originating as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multi-million dollar entertainment industry. In North America, it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Read more about Professional Wrestling:  Scope and Influence, Genre Conventions, Rules, Dramatic Elements, Styles and Characteristics in Different Countries, Culture

Famous quotes containing the words professional and/or wrestling:

    “Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to man’s yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!”
    —Flora Tristan (1803–1844)

    “We laugh at him who steps out of his room at the very moment when the sun steps out, and says: “I will the sun to rise”; and at him who cannot stop the wheel, and says: “I will it to roll”; and at him who is taken down in a wrestling match, and says: “I lie here, but I will that I lie here!” And yet, all laughter aside, do we ever do anything other than one of these three things when we use the expression, “I will”?”
    —Friedrich Nietzsche (1844–1900)