Private Parts and Pieces VI: Ivory Moon

Private Parts and Pieces VI: Ivory Moon is an album by Anthony Phillips, released by Passport Records in 1986. The album collects several of his pieces written for solo piano from 1971-1985. The title owes a debt to Monty Python's variety of humour.

Like his previous "Private Parts and Pieces" albums, Ivory Moon is a collection meant to showcase the range of Phillips' compositional and musical abilities, rather than a series of new pieces written with an album already in mind. With the exception of his playing keyboards on Mike Rutherford's Smallcreep's Day (1980), this was the first time Phillips had been on an album that did not feature his guitar work to some extent.

The album cover is a work entitled "Sea-Dogs Motoring" by Peter Cross, based on an impression of Leith Hill Tower in Dorking, England. As per most Anthony Phillips albums, the liner notes to Ivory Moon contain a running joke reference to Phillips's friend Ralph Bernascone: "Ralph Bernascone appears courtesy of Ravaged Records".

The photography on the album is credited to "Pierror Krols and Vic Stench of Thrombosis". This is also a running joke: "Vic Stench" is one of Phillips' pseudonyms.

Ivory Moon was reissued on compact disc by Virgin Records in 1991, and by Blueprint Records in 1996. These reissues include a new recording, based on Phillips' original September 1968 piano version, of the Genesis song "Let Us Now Make Love".

Read more about Private Parts And Pieces VI: Ivory Moon:  Track Listing, Personnel

Famous quotes containing the words private, parts, pieces, ivory and/or moon:

    The great cause which divides our countries is not to be decided by individual animosities. The harmony of private societies cannot weaken national efforts.
    Thomas Jefferson (1743–1826)

    Irish was a man of parts even if some of them didn’t work too well.
    Angela Carter (1940–1992)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)

    And ivory and bright gold,
    polished and lustrous grow faint
    beside that wondrous flesh
    and print of her foot-hold.
    Hilda Doolittle (1886–1961)

    In such a night, when passing clouds give place,
    Or thinly veil the heaven’s mysterious face;
    When in some river, overhung with green,
    The waving moon and trembling leaves are seen;
    Anne Finch, Countess Of Winchilsea (1661–1720)