Private Parts and Pieces VI: Ivory Moon is an album by Anthony Phillips, released by Passport Records in 1986. The album collects several of his pieces written for solo piano from 1971-1985. The title owes a debt to Monty Python's variety of humour.
Like his previous "Private Parts and Pieces" albums, Ivory Moon is a collection meant to showcase the range of Phillips' compositional and musical abilities, rather than a series of new pieces written with an album already in mind. With the exception of his playing keyboards on Mike Rutherford's Smallcreep's Day (1980), this was the first time Phillips had been on an album that did not feature his guitar work to some extent.
The album cover is a work entitled "Sea-Dogs Motoring" by Peter Cross, based on an impression of Leith Hill Tower in Dorking, England. As per most Anthony Phillips albums, the liner notes to Ivory Moon contain a running joke reference to Phillips's friend Ralph Bernascone: "Ralph Bernascone appears courtesy of Ravaged Records".
The photography on the album is credited to "Pierror Krols and Vic Stench of Thrombosis". This is also a running joke: "Vic Stench" is one of Phillips' pseudonyms.
Ivory Moon was reissued on compact disc by Virgin Records in 1991, and by Blueprint Records in 1996. These reissues include a new recording, based on Phillips' original September 1968 piano version, of the Genesis song "Let Us Now Make Love".
Read more about Private Parts And Pieces VI: Ivory Moon: Track Listing, Personnel
Famous quotes containing the words private, parts, pieces, ivory and/or moon:
“For such will be our ruin if you, in the immensity of your public abstractions, forget the private figure, or if we in the intensity of our private emotions forget the public world. Both houses will be ruined, the public and the private, the material and the spiritual, for they are inseparably connected.”
—Virginia Woolf (1882–1941)
“Our books are false by being fragmentary: their sentences are bon mots, and not parts of natural discourse; childish expressions of surprise or pleasure in nature; or, worse, owing a brief notoriety to their petulance, or aversion from the order of nature,—being some curiosity or oddity, designedly not in harmony with nature, and purposely framed to excite surprise, as jugglers do by concealing their means.”
—Ralph Waldo Emerson (1803–1882)
“I saw
that from his lower lip
if you could call it a lip—
grim, wet, and weaponlike,
hung five old pieces of fish-line,”
—Elizabeth Bishop (1911–1979)
“To become a celebrity is to become a brand name. There is Ivory Soap, Rice Krispies, and Philip Roth. Ivory is the soap that floats; Rice Krispies the breakfast cereal that goes snap-crackle-pop; Philip Roth the Jew who masturbates with a piece of liver.”
—Philip Roth (b. 1933)
“But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!”
—Samuel Taylor Coleridge (1772–1834)