Primary Color
Primary colors are sets of colors that can be combined to make a useful range of colors. For human applications, three primary colors are usually used, since human color vision is trichromatic.
For additive combination of colors, as in overlapping projected lights or in CRT displays, the primary colors normally used are red, green, and blue. For subtractive combination of colors, as in mixing of pigments or dyes, such as in printing, the primaries normally used are cyan, magenta, and yellow, though the set of red, yellow, blue is popular among artists. See RGB color model, CMYK color model, and RYB color model for more on these popular sets of primary colors.
Any particular choice for a given set of primary colors is derived from the spectral sensitivity of each of the human cone photoreceptors; three colors that fall within each of the sensitivity ranges of each of the human cone cells are red, green, and blue. Other sets of colors can be used, though not all will well approximate the full range of color perception. For example, an early color photographic process, autochrome, typically used orange, green, and violet primaries. However, unless negative amounts of a color are allowed the gamut will be restricted by the choice of primaries.
The combination of any two primary colors creates a secondary color.
The most commonly used additive color primaries are the secondary colors of the most commonly used subtractive color primaries, and vice versa.
Read more about Primary Color: Biological Basis, Additive Primaries, Subtractive Primaries, Psychological Primaries
Famous quotes containing the words primary and/or color:
“The primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid: the state of being alone.”
—James Baldwin (19241987)
“The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his cameraand himself.”
—Daniel J. Boorstin (b. 1914)