Notes
- On the original 14-track single-disc Geffen prints of the album, the song "Found A Friend" was track 12 on the record. Apparently on some copies of the reissued double disc set by Spitfire Records in 1999 the song was accidentally deleted off the album, although still listed on the sleeve. Instead, the outro for "Toe'n The Line" had been programmed as track 12. In order to address the error, subsequent prints of the double disc version have had "Found a Friend" included on the second disc. A 2009 reissue on Armoury Records restores the original album's 14-song tracklisting.
- An unreleased song from the recording sessions entitled "Mother Mary" (a live version of which was performed during Pride & Glory's set at the Donington Monsters of Rock Festival in 1994) later emerged on the debut Black Label Society album, Sonic Brew, four years later. The final version is almost completely different both musically and lyrically from the original Pride & Glory song but both do share the same basic chorus lyrics.
- "Cry Me a River" was re-recorded after the recording of the original album was complete.
- "Toe 'n the Line" is faded out. The studio version originally ended the way the band ended the song live.
- The cover art is a photograph called "Waiting Till the Cows Come Home" taken by Gale Wrausmann, from the Women in American Photography Exhibition in 1985.
Read more about this topic: Pride And Glory (album)
Famous quotes containing the word notes:
“The germ of violence is laid bare in the child abuser by the sheer accident of his individual experience ... in a word, to a greater degree than we like to admit, we are all potential child abusers.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. Reflections on Child Abuse, Notes of an Anatomist (1985)
“My weary limbs are scarcely stretched for repose, before red dawn peeps into my chamber window, and the birds in the whispering leaves over the roof, apprise me by their sweetest notes that another day of toil awaits me. I arise, the harness is hastily adjusted and once more I step upon the tread-mill.”
—E. B., U.S. farmer. As quoted in Feminine Ingenuity, by Anne L. MacDonald (1992)
“Ceremony and ritual spring from our heart of hearts: those who govern us know it well, for they would sooner deny us bread than dare alter the observance of tradition.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. On Embalming, Notes of an Anatomist (1985)