Pretty Hate Machine - Composition

Composition

Pretty Hate Machine is a synthpop album that incorporates industrial and electronic styles. Unlike the industrial music of Nine Inch Nails' contemporaries, the album's music employed catchy riffs and verse-chorus song structures rather than repetitive electronic sounds. Of its industrial influence, Pitchfork Media's Tom Breihan writes that the album is informed by "the genre's nascent new-wave period rather than its subsequent styles." Music journalist Jon Pareles characterizes the album's music as "electro-rock or industrial rock, using drum machines, computerized synthesizer riffs and obviously processed sounds to detail, and usually denounce, an artificial world." Reznor's lyrics express adolescent angst and feelings of betrayal by lovers, society, or God. and juxtapose themes of despair with lovelorn sentiments.

Read more about this topic:  Pretty Hate Machine

Famous quotes containing the word composition:

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.
    Vincent Van Gogh (1853–1890)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)