Composition
The prelude is organized into three main parts and a coda:
- The piece opens with a three note motif at fortissimo which introduces the grim C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third measure, the volume changes to a piano pianissimo for the exposition of the theme.
- The second part is propulsive and marked Agitato (agitated), beginning with highly chromatic triplets. This passionately builds to interlocking chordal triplets that descend into a climactic recapitulation of the main theme, this time in four staves to accommodate the volume of notes. Certain chords in the section are marked with quadruple sforzando.
- The piece closes with a brief seven-measure coda which ends quietly.
Read more about this topic: Prelude In C-sharp Minor (Rachmaninoff)
Famous quotes containing the word composition:
“The proposed Constitution ... is, in strictness, neither a national nor a federal constitution; but a composition of both.”
—James Madison (1751–1836)
“The composition of a tragedy requires testicles.”
—Voltaire [François Marie Arouet] (1694–1778)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)