Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas.
Prehistoric music thus technically includes all of the world's music that has existed before the advent of any currently-extant historical sources concerning that music, for example, traditional Native American music of preliterate tribes and Australian Aboriginal music. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within Music Archaeology.
Read more about Prehistoric Music: Origins, Prehistoric Musical Instruments, Flutes, Archaeoacoustic Methodology, Cycladic Culture
Famous quotes containing the words prehistoric and/or music:
“Of course
the New Testament is very small.
Its mouth opens four times
as out-of-date as a prehistoric monster,
yet somehow man-made....”
—Anne Sexton (1928–1974)
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
“Our beauties are not ours”:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)