Portrait of Marcel Duchamp

"Portrait of Marcel Duchamp" is a 1919 work of art by Baroness Elsa von Freytag-Loringhoven. It is an example of readymade art, a term coined by Marcel Duchamp in 1915 to describe his found art.

"Portrait of Marcel Duchamp" is an amalgamation of broken wine glasses, assorted feathers, tree twigs, and other unidentifiable objects. The portrait in form resembles that of a bird with a long, curious neck. Commanding attention, it casts an equally stimulating shadow.

Famous quotes containing the words marcel duchamp, portrait of, portrait and/or duchamp:

    All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.
    Marcel Duchamp (1887–1968)

    I had rather see the portrait of a dog that I know, than all the allegorical paintings they can show me in the world.
    Samuel Johnson (1709–1784)

    I had rather see the portrait of a dog that I know, than all the allegorical paintings they can show me in the world.
    Samuel Johnson (1709–1784)

    The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.
    —Marcel Duchamp (1887–1968)