Audience
The popular sermon was delivered in local churches, to people of high and low estate. When the churches were too small to contain the audience, the sermon was then moved to the public green. In either setting, the audience was usually unconstrained and could be rude and discourteous to the preacher. It was not uncommon for the people in attendance to move freely about and socialize with one another, address the friar, or walk out on the friar in the middle of his sermon. Thus, to keep the attention of the people, the popular sermon needed to be short and include elements which the people could relate to or find interest in. The friar might tell an anecdote, use folklore or verse sermon. To help make a point, it was not uncommon for the friar to embellish concerns of good and evil. The friar would use the occasional large word or a word from a foreign language to impress the lewd audience. The result was a vibrant, creative and well-received sermon.
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Famous quotes containing the word audience:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character of the speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.”
—Aristotle (384–323 B.C.)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)