Music
Having its roots in the late 1970s funk era, popping is commonly danced to funk and disco music. Popular artists include Zapp, Dayton, Dazz Band and Cameo. During the 1980s, many poppers also utilized electro music, with artists such as Kraftwerk, Yellow Magic Orchestra, Twighlight 22, Egyptian Lover and World Class Wrecking Crew. More mainstream hip hop music was also employed by poppers during the 1980s, including Afrika Bambaataa, Kurtis Blow, Whodini and Run DMC. Today, it is common to see popping danced to more current music genres such as modern hip hop (often abstract/instrumental hip hop) and various forms of electronic dance music such as dubstep.
Songs that are generally favored have a straight and steady beat at around 90-120 beats per minute, a 4/4 time signature and a strong emphasis on the back beat, normally by a snare drum or a drum machine. The pops performed by the popper normally occur on every beat or on the distinct back beats. The popper can also choose to follow the music more freely such as by timing the pops to the rhythm of a melody or other rhythmic elements.
Read more about this topic: Popping (dance)
Famous quotes containing the word music:
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.”
—Bhakti Ziek (b. c. 1946)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)