Career
Pooja started her career by acting in soaps, starting with Zameen Se Asman directed by Aruna Irani. She made her debut in the Bengali film Tomake Salam, released in 2003. She moved to the South Indian film industry with the Tamil film Kokki, which did not show promising results at the box office.
She entered the Kannada film industry with Mungaru Male, a film that became a big hit in Karnataka, and she popularly came to be known as Mungaru Male Hudugi ("Mungaru Male girl").
Pooja Gandhi acted in the Kannada movie Krishna, opposite "Comedy Time" Ganesh, her co-actor in Mungaru Male. She has since acted in several Kannada films including Kodagana Koli Nungitha, Manmahta, Milana, Budhivanta, Huchchi, Taj Mahal and Honey Honey.
Pooja has signed up to make her Tulu language film debut in Beere Devupoonje, playing the role of Raja Nartaki. The film, produced and directed by R. Dhanraj, will be based on a Tulu warrior named Devapoonja who lived 400 years ago.
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Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)