History
The castle was first constructed in approximately 1070 by Ilbert de Lacy on land which had been granted to him by William the Conqueror as a reward for his support during the Norman conquests. There is, however, evidence of earlier occupation of the site. Initially the castle was a wooden structure, but this was replaced with stone over time. The Domesday Survey of 1086 recorded "Ilbert's Castle" which probably referred to Pontefract Castle.
Robert de Lacy failed to support King Henry I during his power struggle with his brother and confiscated the castle from the family during the 12th century. Roger de Lacy paid King Richard I 3,000 marks for the Honour of Pontefract, but the king retained possession of the castle. His successor, King John gave Lacy the castle in 1199, the year he ascended the throne. Roger died in 1213 and was succeeded by his eldest son, John. However, the king took possession of Castle Donnington and Pontefract Castle. The de Lacys lived in the castle until the early 14th century. It was under the tenure of the de Lacys that the magnificent multilobate donjon was built.
In 1311 the castle passed by marriage to the estates of the House of Lancaster. Thomas, Earl of Lancaster (1278–1322) was beheaded outside the castle walls six days after his defeat at the Battle of Boroughbridge, a sentence placed on him by King Edward II himself in the great hall. This resulted in the earl becoming a martyr with his tomb at Pontefract Priory becoming a shrine. Later John of Gaunt, a son of King Edward III, as Duke of Lancaster was so fond of the castle that he made it his personal residence, spending vast amounts of money improving it.
Read more about this topic: Pontefract Castle
Famous quotes containing the word history:
“... all big changes in human history have been arrived at slowly and through many compromises.”
—Eleanor Roosevelt (1884–1962)
“Perhaps universal history is the history of the diverse intonation of some metaphors.”
—Jorge Luis Borges (1899–1986)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)