History
On 13 April 1915 the Polish conductor Emil Młynarski asked Elgar to compose something, thinking of how Elgar's Carillon had been a recent tribute to Belgium, but this time using Polish national music.
The piece was mainly Elgar's own work, but he included quotations from the Warszawianka and other Polish patriotic songs, the Polish National Anthem, and themes by Frédéric Chopin and Ignacy Jan Paderewski.
It was first performed at the Polish Victims' Relief Fund Concert in the Queen's Hall, London on 6 July 1915, with the orchestra conducted by the composer. The Relief Fund was a worldwide effort, organised by Paderewski and Henryk Sienkiewicz, in aid of refugees from the terrible conflict in Poland between the forces of Russia and Germany. There were elaborately engraved programmes, each tied with a red and white ribbon, containing messages from Paderewski. Elgar conducted his première and Thomas Beecham conducted the remainder of the concert.
Elgar dedicated Polonia to Paderewski, already a distinguished pianist and composer. Paderewski had written his own "Polonia" in 1908, his Symphony in B minor, to which he had given that subtitle.
On 29 August 1915, Elgar wrote to Paderewski, asking for permission for the quotation from his Fantasie Polonaise to be published:
Paderewski received the work with genuine admiration. He wrote to Elgar after hearing the work for a second time in October:
"I heard your noble composition, my beloved Polonia, on two different occasions: deeply touched by the graciousness of your friendly thought, and profoundly moved by the exquisite beauty of your work, I write you a letter of sincere and affectionate appreciation".Read more about this topic: Polonia (Elgar)
Famous quotes containing the word history:
“The history of philosophy is to a great extent that of a certain clash of human temperaments.”
—William James (18421910)
“The history of all hitherto existing society is the history of class struggles.”
—Karl Marx (18181883)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)