Polly Matzinger - Films

Films

  • Immunity: the inside story. Matzinger P and André Trauneker (1986) (video, 13 min) Award winning animated film for lay people describing the events involved in clearing an influenza infection. Translated into German, French, Spanish. Hoffman La Roche studio, Basel, Switzerland
  • A quick look at tissue rejection. Matzinger P. (1991) (Video, 2 min) Animated Film for lay people describing the events that result in rejection of a skin graft. Commissioned by the National Association of Science Writers for a meeting of television producers. NIH special events department and Capitol Studios
  • Death By Design. Peter Friedman and Jean-François Brunet (1995) (Film, 73 minutes) Award winning Film on apoptotic cell death that features the work of six scientists. P Matzinger, R Levy-Montalcini, M Raff, P Golstein, KM Debatin, R Horowitz
  • Turned on by Danger. Michael Mosley (1997) (Film, 60 minutes) a ‘Horizon’ program made for public television featuring and delineating the Danger model. British Broadcasting Corporation
  • Microbe Invasion. David Green (2001) (Film 60 minutes) a program describing the interrelationship between human bodies and the multitude of organisms that live on and within them. The film features the Danger model as the model of immunity that best allows for symbiotic relationships within the body. The Learning Channel

Read more about this topic:  Polly Matzinger

Famous quotes containing the word films:

    If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.
    Andy Warhol (c. 1928–1987)

    Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
    Susan Sontag (b. 1933)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)