Political Verse - Ethos: Mood and Feeling

Ethos: Mood and Feeling

The "ethos of music" was the term given to describe the effect on character or mood. Political verses when recited for long can be rather monotonous to a modern audience. That is because their form is strict and does not vary greatly from verse to verse. Always the same meter of fifteen-syllable iambic verses, with the cesura after the eighth syllable, on and on. Maybe that is why the Political verses do not regularly identify with rhyme. Regular rhyme can only make their recitation duller and more monotonous. It is true that sometimes the cesura is not after the eighth syllable, or there is no cesura at all. That can give some variation to the general rhythm of the poem. Such cases are the exception rather than the rule, and do not seem to be there to provide variation. They seem incidental, or unavoidable, especially in the case of the old narrative "epic" poems. Yet, the main use of Political verse is not for poems to be recited, but for songs to be sung, and in most cases danced as well. The "monotony" of the recitation, then, disappears in the music and dance, and in that help the movements of the bodies and the musical prosody (in singing some syllables become long, others are short). Also, in the case of narrative poems which are the most likely to be recited, the main focus is on their content, the events they narrate. And thus the monotony of the rhythm of the meter is taken aside, by the interest to the story. Moreover the monotonus meter can assist memorization. Originally the political verse was a part of an oral poetical tradition, of a largely illiterate medieval society, that found in them an almost natural way to express itself, in such "down-to-earth", and less "pompous" verses.