Polish Organ Tablatures - Renaissance

Renaissance

  • Tablature by Jan z Lublina (1537–48)
Contains a large treatise on composition, modelled on Hans Buchner's Fundamentum, but surpassing it by greater number of explanations and musical examples. The treatise is followed by some 250 pieces, covering numerous genres from liturgical pieces to dances, intabulations of motets, and a number of untitled and/or undidentifiable works.
  • Cracow tablature ("Nicolaus Cracoviensis") (1548; also known as the Holy Ghost tablature. Original lost)
Contains 101 pieces, most of which are intabulations of vocal works by well-known composers. Some compositions are also found in the Lublin tablature. Unique items include several preludes, liturgical pieces, and three settings of Polish church songs.
  • Łowicz tablature (also known as Martin Leopolita tablature) (ca. 1580; original lost)
Contains 75 liturgical pieces: 47 introits, 8 sequences, 12 pieces for the Mass ordinary (including a group of four, titled Missa solenne), and 8 Magnificat settings.
  • Gdańsk (Danzig) tablature (1591)
  • Toruń (Thorn) tablature (by Johannes Fischer of Morąg) (1591–1604)
Contains motet intabulations and fantasias.
  • Samogitian tablature from Kroże (also known as Adam of Wągrowiec tablature) (ca. 1618)
Includes 23 pieces by Adam of Wągrowiec: fantasias, ricercares, and liturgical paraphrases.
  • Oliwa tablature, the 1st (1619), another name is the Braunsberg (Braniewo) tablature

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