Criticism
Philippe de Rouilhan (2000) has argued that Boolos relied on the assumption, never defended in detail, that plural expressions in ordinary language are "manifestly and obviously" free of existential commitment. But when I utter "there are critics who admire only one another" is it manifest and obvious that I am only committing myself with respect to critics? Or is Boolos victim of a "grammatical illusion" (p. 10)? Consider
- There is at least one critic who admires only himself.
- There are critics who admire only one another
The first case is clearly "innocent". But what about the second? There is an obvious logical difference, since in the first case the plural is distributive, in the second, it is collective, and irreducibly so. How is it obvious that this difference is innocent? Also, the second is equivalent to
- Some group (or collection) of critics is such that they admire only one another
But what is a "group" or "collection" in this sense? "That is the whole problem". Perhaps Boolos has accorded a kind of innocence to that would actually belong only to the first.
Read more about this topic: Plural Quantification
Famous quotes containing the word criticism:
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)