Right Hand and Tone Color
The right arm, hand, and bow are responsible for tone quality, rhythm, dynamics, articulation, and certain (but not all) changes in timbre. The bow is held in the right hand with the thumb bent underneath the frog to support it and the other fingers loosely touching the wood. The middle and ring fingers are usually wrapped around the frog, although in some cases (such as in baroque performance practice) the whole hand holds the stick above the frog. Holding the little finger curved and resting on the near facet of the octagonal shape of the stick, next to the facet on top of the stick, allows that finger to "unweight" the bow, using the thumb as a fulcrum. The most important thing in bowing is that bowing action should be initiated and solely dependent upon movement of right hand, not by forearm, upper arm, and shoulder. Flexion and extension of these parts should be passive led by right hand action. Otherwise, subtle and delicate bowing control is impossible, leading to excessive tension in right arm, making bow control hard.
Read more about this topic: Playing The Violin
Famous quotes containing the words hand, tone and/or color:
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They look at our labour and laughter as a tired man looks at flies.”
—Gilbert Keith Chesterton (1874–1936)
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—Henry David Thoreau (1817–1862)
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Some view our sable race with scornful eye,
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—Phillis Wheatley (c. 1753–1784)