Plantation tradition is a genre of literature based in the southern states of the USA that is heavily nostalgic for antebellum times.
The decades before the American Civil War saw several works idealizing the plantation, such as John Pendleton Kennedy's 1832 The Swallow Barn. However, plantation tradition became more popular in the late-nineteenth century as a reaction against slave narratives like those of Frederick Douglass, and abolitionist novels like Uncle Tom's Cabin. Prominent writers in the plantation tradition include Thomas Nelson Page (1853-1922) and Harry Stillwell Edwards (1855-1938). Other writers, especially African-American writers, soon satirized the genre: Charles W. Chesnutt's The Conjure Woman (1899), for example, "consciously evoke the conventions of the plantation novel only to subvert them".
Famous quotes containing the words plantation and/or tradition:
“Greece is a sort of American vassal; the Netherlands is the country of American bases that grow like tulip bulbs; Cuba is the main sugar plantation of the American monopolies; Turkey is prepared to kow-tow before any United States pro-consul and Canada is the boring second fiddle in the American symphony.”
—Andrei Andreyevich Gromyko (1909–1989)
“The instincts of merry England lingered on here with exceptional vitality, and the symbolic customs which tradition has attached to each season of the year were yet a reality on Egdon. Indeed, the impulses of all such outlandish hamlets are pagan still: in these spots homage to nature, self-adoration, frantic gaieties, fragments of Teutonic rites to divinities whose names are forgotten, seem in some way or other to have survived mediaeval doctrine.”
—Thomas Hardy (1840–1928)