Planetary Romance - Edgar Rice Burroughs and "sword and Planet" Stories

Edgar Rice Burroughs and "sword and Planet" Stories

The first author to achieve a large market for this type of story was Edgar Rice Burroughs, whose Barsoom series' first installments appeared in the pulp All-Story in 1912. Even if Burroughs' writing was not wholly original, it at least popularized the concept of pulp-style adventures on other planets. Burroughs' "Barsoom" (Mars) manifested a chaotic melange of cultural and technological styles, combining futuristic devices such as "radium pistols" and flying machines suspended by a mysterious levitating ray, with anachronistic Martian cavalry charges, a feudal system with emperors and princesses, much sword-fighting, and a credibility-stretching martial code that justifies it. Frank Herbert's Dune and George Lucas' Star Wars are direct inheritors of this tradition of welding the futuristic to the medieval. The content of the Barsoom stories is pure swashbuckler, being a series of imprisonments, forced gladiatorial combat, daring escapes, monster-killings, and duels with villains. Fantasy elements are minimal; other than telepathy, most instances of "magic" are dismissed or exposed as humbuggery.

Burroughs' stories spawned a large number of imitators. Some, like Otis Adelbert Kline, were exploiting the new market that Burroughs had created; even Burroughs imitated himself in his Venus series, starting in 1934. After the genre had been out of fashion for a few decades, the 1960s saw a renewed interest in Burroughs and the production of nostalgic Burroughsian pastiche by authors like Lin Carter and Michael Moorcock. This consciously imitative genre, influenced also by such sword and sorcery authors as Robert E. Howard, goes by the name of "Sword and Planet" fiction; it is an essentially static, "retro" genre, aiming at reproducing more of the same type of story, with slender variations on a set formula. Perhaps for this reason, many "Sword and Planet" authors have written staggeringly long series sequences, the extreme example being Kenneth Bulmer's Dray Prescot saga, composed of fifty-three novels.

Read more about this topic:  Planetary Romance

Famous quotes containing the words edgar, rice, burroughs, sword, planet and/or stories:

    Fate, or some mysterious force, can put the finger on you or me, for no good reason at all.
    Martin Goldsmith, and Edgar G. Ulmer. Al Roberts (Tom Neal)

    ... there has been a very special man in my life for the past year. All I’ll say about him is that he’s kind, warm, mature, someone I can trust—and he’s not a politician.
    —Donna Rice (b. c. 1962)

    I feel that any form of so called psychotherapy is strongly contraindicated for addicts.... The question “Why did you start using narcotics in the first place?” should never be asked. It is quite as irrelevant to treatment as it would be to ask a malarial patient why he went to a malarial area.
    —William Burroughs (b. 1914)

    Not marble nor the gilded monuments
    Of princes shall outlive this powerful rime;
    But you shall shine more bright in these contents
    Than unswept stone, besmeared with sluttish time.
    When wasteful war shall statues overturn,
    And broils root out the work of masonry,
    Nor Mars his sword nor war’s quick fire shall burn
    The living record of your memory.
    William Shakespeare (1564–1616)

    The planet on which we live is poorly organized, many areas are overpopulated, others are reserved for a few, technology’s potential is only in part realized, and most people are starving.
    Friedrich Dürrenmatt (1921–1990)

    Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.
    Dorothy H. Cohen (20th century)