Planetary Romance - Edgar Rice Burroughs and "sword and Planet" Stories

Edgar Rice Burroughs and "sword and Planet" Stories

The first author to achieve a large market for this type of story was Edgar Rice Burroughs, whose Barsoom series' first installments appeared in the pulp All-Story in 1912. Even if Burroughs' writing was not wholly original, it at least popularized the concept of pulp-style adventures on other planets. Burroughs' "Barsoom" (Mars) manifested a chaotic melange of cultural and technological styles, combining futuristic devices such as "radium pistols" and flying machines suspended by a mysterious levitating ray, with anachronistic Martian cavalry charges, a feudal system with emperors and princesses, much sword-fighting, and a credibility-stretching martial code that justifies it. Frank Herbert's Dune and George Lucas' Star Wars are direct inheritors of this tradition of welding the futuristic to the medieval. The content of the Barsoom stories is pure swashbuckler, being a series of imprisonments, forced gladiatorial combat, daring escapes, monster-killings, and duels with villains. Fantasy elements are minimal; other than telepathy, most instances of "magic" are dismissed or exposed as humbuggery.

Burroughs' stories spawned a large number of imitators. Some, like Otis Adelbert Kline, were exploiting the new market that Burroughs had created; even Burroughs imitated himself in his Venus series, starting in 1934. After the genre had been out of fashion for a few decades, the 1960s saw a renewed interest in Burroughs and the production of nostalgic Burroughsian pastiche by authors like Lin Carter and Michael Moorcock. This consciously imitative genre, influenced also by such sword and sorcery authors as Robert E. Howard, goes by the name of "Sword and Planet" fiction; it is an essentially static, "retro" genre, aiming at reproducing more of the same type of story, with slender variations on a set formula. Perhaps for this reason, many "Sword and Planet" authors have written staggeringly long series sequences, the extreme example being Kenneth Bulmer's Dray Prescot saga, composed of fifty-three novels.

Read more about this topic:  Planetary Romance

Famous quotes containing the words edgar, rice, burroughs, sword, planet and/or stories:

    If there was ever a dissenter from the national optimism ... it was surely Edgar Allan Poe—without question the bravest and most original, if perhaps also the least orderly and judicious, of all the critics that we have produced.
    —H.L. (Henry Lewis)

    ... there has been a very special man in my life for the past year. All I’ll say about him is that he’s kind, warm, mature, someone I can trust—and he’s not a politician.
    —Donna Rice (b. c. 1962)

    Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
    —William Burroughs (b. 1914)

    I climb to the tower-top and lean upon broken stone,
    A mist that is like blown snow is sweeping over all,
    Valley, river, and elms, under the light of a moon
    That seems unlike itself, that seems unchangeable,
    A glittering sword out of the east.
    William Butler Yeats (1865–1939)

    It was not important that they survive.
    What mattered was that they should bear
    Some lineament or character,
    Some affluence, if only half-perceived,
    In the poverty of their words,
    Of the planet of which they were part.
    Wallace Stevens (1879–1955)

    We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail.
    Greil Marcus (b. 1945)