Edgar Rice Burroughs and "sword and Planet" Stories
The first author to achieve a large market for this type of story was Edgar Rice Burroughs, whose Barsoom series' first installments appeared in the pulp All-Story in 1912. Even if Burroughs' writing was not wholly original, it at least popularized the concept of pulp-style adventures on other planets. Burroughs' "Barsoom" (Mars) manifested a chaotic melange of cultural and technological styles, combining futuristic devices such as "radium pistols" and flying machines suspended by a mysterious levitating ray, with anachronistic Martian cavalry charges, a feudal system with emperors and princesses, much sword-fighting, and a credibility-stretching martial code that justifies it. Frank Herbert's Dune and George Lucas' Star Wars are direct inheritors of this tradition of welding the futuristic to the medieval. The content of the Barsoom stories is pure swashbuckler, being a series of imprisonments, forced gladiatorial combat, daring escapes, monster-killings, and duels with villains. Fantasy elements are minimal; other than telepathy, most instances of "magic" are dismissed or exposed as humbuggery.
Burroughs' stories spawned a large number of imitators. Some, like Otis Adelbert Kline, were exploiting the new market that Burroughs had created; even Burroughs imitated himself in his Venus series, starting in 1934. After the genre had been out of fashion for a few decades, the 1960s saw a renewed interest in Burroughs and the production of nostalgic Burroughsian pastiche by authors like Lin Carter and Michael Moorcock. This consciously imitative genre, influenced also by such sword and sorcery authors as Robert E. Howard, goes by the name of "Sword and Planet" fiction; it is an essentially static, "retro" genre, aiming at reproducing more of the same type of story, with slender variations on a set formula. Perhaps for this reason, many "Sword and Planet" authors have written staggeringly long series sequences, the extreme example being Kenneth Bulmer's Dray Prescot saga, composed of fifty-three novels.
Read more about this topic: Planetary Romance
Famous quotes containing the words edgar rice, rice, burroughs, sword, planet and/or stories:
“Me Tarzan, you Jane.”
—Edgar Rice Burroughs (1875–1950)
“The arbitrary division of one’s life into weeks and days and hours seemed, on the whole, useless. There was but one day for the men, and that was pay day, and one for the women, and that was rent day. As for the children, every day was theirs, just as it should be in every corner of the world.”
—Alice Caldwell Rice (1870–1942)
“Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape.”
—William Burroughs (b. 1914)
“She sings of a sword so white,
so luminous, that its own light
alone must slay;
she sings of a sword, a sword, a sword,
and I creep away.”
—Hilda Doolittle (1886–1961)
“Could it not be that just at the moment masculinity has brought us to the brink of nuclear destruction or ecological suicide, women are beginning to rise in response to the Mother’s call to save her planet and create instead the next stage of evolution? Can our revolution mean anything else than the reversion of social and economic control to Her representatives among Womankind, and the resumption of Her worship on the face of the Earth? Do we dare demand less?”
—Jane Alpert (b. 1947)
“Wags try to invent new stories to tell about the legislature, and end by telling the old one about the senator who explained his unaccustomed possession of a large roll of bills by saying that someone pushed it over the transom while he slept. The expression “It came over the transom,” to explain any unusual good fortune, is part of local folklore.”
—For the State of Montana, U.S. public relief program (1935-1943)