Edgar Rice Burroughs and "sword and Planet" Stories
The first author to achieve a large market for this type of story was Edgar Rice Burroughs, whose Barsoom series' first installments appeared in the pulp All-Story in 1912. Even if Burroughs' writing was not wholly original, it at least popularized the concept of pulp-style adventures on other planets. Burroughs' "Barsoom" (Mars) manifested a chaotic melange of cultural and technological styles, combining futuristic devices such as "radium pistols" and flying machines suspended by a mysterious levitating ray, with anachronistic Martian cavalry charges, a feudal system with emperors and princesses, much sword-fighting, and a credibility-stretching martial code that justifies it. Frank Herbert's Dune and George Lucas' Star Wars are direct inheritors of this tradition of welding the futuristic to the medieval. The content of the Barsoom stories is pure swashbuckler, being a series of imprisonments, forced gladiatorial combat, daring escapes, monster-killings, and duels with villains. Fantasy elements are minimal; other than telepathy, most instances of "magic" are dismissed or exposed as humbuggery.
Burroughs' stories spawned a large number of imitators. Some, like Otis Adelbert Kline, were exploiting the new market that Burroughs had created; even Burroughs imitated himself in his Venus series, starting in 1934. After the genre had been out of fashion for a few decades, the 1960s saw a renewed interest in Burroughs and the production of nostalgic Burroughsian pastiche by authors like Lin Carter and Michael Moorcock. This consciously imitative genre, influenced also by such sword and sorcery authors as Robert E. Howard, goes by the name of "Sword and Planet" fiction; it is an essentially static, "retro" genre, aiming at reproducing more of the same type of story, with slender variations on a set formula. Perhaps for this reason, many "Sword and Planet" authors have written staggeringly long series sequences, the extreme example being Kenneth Bulmer's Dray Prescot saga, composed of fifty-three novels.
Read more about this topic: Planetary Romance
Famous quotes containing the words edgar, rice, burroughs, sword, planet and/or stories:
“That’s life. Whichever way you turn, fate sticks out a foot to trip you.”
—Martin Goldsmith, and Edgar G. Ulmer. Al Roberts (Tom Neal)
“The arbitrary division of one’s life into weeks and days and hours seemed, on the whole, useless. There was but one day for the men, and that was pay day, and one for the women, and that was rent day. As for the children, every day was theirs, just as it should be in every corner of the world.”
—Alice Caldwell Rice (1870–1942)
“Now what sort of man or woman or monster would stroke a centipede I have ever seen? “And here is my good big centipede!” If such a man exists, I say kill him without more ado. He is a traitor to the human race.”
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“We soon saw, as he saw, that he was not to be pardoned or rescued by men. That would have been to disarm him, to restore to him a material weapon, a Sharp’s rifle, when he had taken up the sword of the spirit,—the sword with which he has really won his greatest and most memorable victories. Now he has not laid aside the sword of the spirit, for he is pure spirit himself, and his sword is pure spirit also.”
—Henry David Thoreau (1817–1862)
“Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.”
—Ralph Waldo Emerson (1803–1882)
“The affair between Margot Asquith and Margot Asquith will live as one of the prettiest love stories in all literature.”
—Dorothy Parker (1893–1967)