Plot
Adam Reith is sent with another scout in a small ship to investigate a distress signal sent centuries before from the previously unknown planet. The mother ship is destroyed and the rest of the crew killed in a surprise missile attack. The two survivors are forced to set down on Tschai and soon enough, Reith is alone. The four books describe the attempts of a man of singularly strong will and resource to return to Earth. He overcomes the obstacles of dealing with four different alien races and various human groups in his efforts. In the process, he profoundly disrupts several of the societies, human and alien, with which he is forced to deal.
Reith acquires two faithful human companions in the course of his travels: Traz Onmale, the dour, proud boy-chieftain of a nomad race obsessed with emblems, and the renegade Dirdirman, Ankhe at Afram Anacho, loquacious, fastidious and flamboyant. (Vance has said that the novels were commissioned as a juvenile series, which was why he included Traz; but the action is no less ‘adult’ than in his other works.) The third novel also introduces a villain in the enormously fat, petulant, pedophilic, shamelessly avaricious contractor Aila Woudiver.
The vast teeming planet with its clashing civilizations and multifarious cultures affects Reith to the point that he realizes that if he succeeds in returning to Earth, his life will seem dull and colourless in comparison.
Read more about this topic: Planet Of Adventure
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)