Pitch Of Brass Instruments
The pitch of a brass instrument is determined by the fundamental frequency and the frequencies of the overtones, which typically follow a harmonic series. The fundamental is not playable in some instruments. The table below provides the pitch of the second overtone (an octave above the fundamental) for some common brass instruments in descending order of pitch. This is notated as middle C in brass band music.
B♭4 or A4 | piccolo trumpet |
E♭4 | soprano trumpet or cornet |
B♭3 | trumpet, cornet, flugelhorn, soprano trombone |
E♭3 | alto horn, alto trombone, alto trumpet |
B♭2 | tenor trombone, baritone horn, euphonium, B♭ horn, bass trumpet |
F2 | F horn |
E♭2 or F2 | bass tuba |
B♭1 | contrabass tuba, sousaphone |
Read more about Pitch Of Brass Instruments: Range
Famous quotes containing the words pitch of, pitch, brass and/or instruments:
“I saw the Arab map.
It resembled a mare shuffling on,
dragging its history like saddlebags,
nearing its tomb and the pitch of hell.”
—Adonis [Ali Ahmed Said] (b. 1930)
“It is beyond a doubt that during the sixteenth century, and the years immediately preceding and following it, poisoning had been brought to a pitch of perfection which remains unknown to modern chemistry, but which is indisputably proved by history. Italy, the cradle of modern science, was at that time, the inventor and mistress of these secrets, many of which are lost.”
—Honoré De Balzac (17991850)
“... [a] girl one day flared out and told the principal the only mission opening before a girl in his school was to marry one of those candidates [for the ministry]. He said he didnt know but it was. And when at last that same girl announced her desire and intention to go to college it was received with about the same incredulity and dismay as if a brass button on one of those candidates coats had propounded a new method for squaring the circle or trisecting the arc.”
—Anna Julia Cooper (18591964)
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (18931968)