Pink And White Terraces
The Pink Terraces, or Otukapuarangi ("fountain of the clouded sky") in Māori, and the White Terraces, also known as Te Tarata ("the tattooed rock"), were natural wonders of New Zealand. They were thought to have been completely destroyed by the 1886 eruption of Mount Tarawera.
The Terraces were formed by geothermally heated water containing large amounts of silicic acid and sodium chloride from two large geysers. These geysers were part of a group of 40 geysers in the nearby area.
The Pink and the White Terraces were 800 metres apart. The White Terraces were at the north end of Lake Rotomahana and faced away from the lake at the entrance to the Kaiwaka stream. They descended to the lake edge 40 metres below. The extra sunlight they received from facing north gave them a more bleached or white appearance. The Pink Terraces were positioned about two thirds of the way down the lake sheltered from the harsh sun on the western shores, facing south-east. Their pink appearance (near the colour of a rainbow trout) was largely due to less sunlight reaching them and therefore less bleaching.
Read more about Pink And White Terraces: Formation, History, Lead Up To Destruction, Destruction, Rediscovery, Similar Places
Famous quotes containing the words pink and, pink and/or white:
“Among the pink and blue
Of the sky and the almond flowers
A sparrow flutters.
MWe have come through.”
—D.H. (David Herbert)
“It’s no go the picture palace, it’s no go the stadium,
It’s no go the country cot with a pot of pink geraniums.
It’s no go the Government grants, it’s no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.”
—Louis MacNeice (1907–1963)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)