Picture Brides in Modern Media
In 1987, a novel titled Picture Bride was written by Yoshiko Uchida, and tells the story of a fictional Japanese woman named Hana Omiya, a picture bride sent to live with her new husband in Oakland, California in 1917. The novel also focuses on her experiences in a Japanese internment camp in 1943.
In 1994, a movie called Picture Bride (film) (unrelated to Uchida's novel) was made by Hawaii-born director Kayo Hatta and starred Youki Kudoh in the title role. The film tells the story of Riyo, a Japanese woman whose photograph exchange with a plantation worker leads her to Hawaii.
A 2003 Korean language book entitled Sajin Sinbu (Korean for "Picture Bride"), compiled by Park Nam Soo, provides a thorough Korean/Korean-American cultural approach to the topic, providing a historical overview of the picture bride phenomenon in the Korean context, as well as related poetry, short stories, essays, and critical essays written by various Korean/Korean-American authors. The book was compiled for the Korean centennial, marking the one-hundred year anniversary of the first known arrival of Korean immigrants to U.S. territory in 1903 aboard RMS Gaelic.
A 2009 novel, Honolulu by Alan Brennert features a Korean picture bride coming to Hawaii.
Read more about this topic: Picture Bride
Famous quotes containing the words picture, brides, modern and/or media:
“The human body is the best picture of the human soul.”
—Ludwig Wittgenstein (1889–1951)
“I sing of brooks, of blossoms, birds and bowers,
Of April, May, of June and July-flowers;
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides and of their bridal cakes;
I write of youth, of love, and have access
By these to sing of cleanly wantonness;”
—Robert Herrick (1591–1674)
“Merely external emancipation has made of the modern woman an artificial being.... Now, woman is confronted with the necessity of emancipating herself from emancipation, if she really desires to be free.”
—Emma Goldman (1869–1940)
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.”
—Serge Daney (1944–1992)