Repertoire
The instrument has found the most use in chamber and contemporary music, where it is valued for its unusual tone colour. It is also employed in double-reed ensembles such as Amoris, and in film scoring. Perhaps the best-known pieces requiring piccolo oboe are Solo for Oboe Instruments (1971) and Concerto for Oboe and Orchestra No. 2, both by Bruno Maderna, as well as Ar-Loth (1967) by Paolo Renosto.
Other contemporary works for the instrument are Scherzo Furioso by William Blezard, Tasmanian Ants by Ian Keith Harris, Iberian Improvisations and Bailables by Leonard Salzedo, Variations on a Sicilian Shepherd Tune by Clive Strutt
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Famous quotes containing the word repertoire:
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
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