Piano Concerto (Schoenberg) - Further Reading

Further Reading

  • Arnold Schoenberg Center. 2008. Concerto for Piano and Orchestra op. 42 Programme notes (15 July).
  • Bailey, Walter B. 1982. "Oscar Levant and the Program for Schoenberg's Piano Concerto". Journal of the Arnold Schoenberg Institute 6, no. 1 (June): 56–79.
  • Benson, Mark F. 1988. "Arnold Schoenberg and the Crisis of Modernism". Ph.D. diss., University of California, Los Angeles.
  • Bishop, David M. 1991. "Schoenberg's Concerto for Piano and Orchestra, op. 42: A Reexamination of the Evolution of the Series in the Sketches". Journal of the Arnold Schoenberg Institute 14, no. 1 (June): 135–49.
  • Brendel, Alfred. 2001. "On Playing Schoenberg's Piano Concerto". In Alfred Brendel on Music: Collected Essays, 311–21. Chicago: A Cappella. ISBN 1-55652-408-0.
  • Gartner, Richard. 2010. "Resisting Schoenberg? The Piano Concerto in Performance". MA diss., Open University.
  • Haimo, Ethan. 1998. "The Late Twelve-Tone Compositions". In The Arnold Schoenberg Companion, edited by Walter B. Bailey, 157–75. Westport: Greenwood Press. ISBN 0-313-28779-1.
  • Hauser, Richard. 1980. "Schoenbergs Klavierkonzert—Musik im Exil". Musik-Konzepte, special issue: Arnold Schoenberg: 243–72.
  • Johnson, Paul. 1988. "Rhythm and Set Choice in Schoenberg's Piano Concerto". Journal of the Arnold Schoenberg Institute 11, no. 1 (June): 38–51.
  • Litwin, Stefan. 1999. "Musique et histoire: Le concerto de piano op. 42 d'Arnold Schoenberg (1942) / Musik als Geschichte, Geschichte als Musik: Zu Arnold Schönbergs Klavierkonzert op. 42 (1942)". Dissonance, no. 59 (February): 12–17.
  • Liu, Wenping (刘文平). 2006. 怀念调性——勋伯格《钢琴协奏曲》Op.42创作特点研究 . Tianjin Yinyue Xueyuan xuebao (Tianlai)/Journal of Tianjin Conservatory of Music (Sounds of Nature) 1, no. 84:55–61 and 74.
  • Mäkelä, Tomi. 1992. "Schönbergs Klavierkonzert opus 42—Ein romantisches Virtuosenkonzert? Ein Beitrag zu Analyse der kompositorischen Prinzipien eines problematischen Werkes". Die Musikforschung 45, no. 1:1–20.
  • Maurer Zenck, Claudia. 1993. "Arnold Schönbergs Klavierkonzert: Versuch, analytisch Exilforschung zu betreiben". In, Musik im Exil: Folgen des Nazismus für die internationale Musikkultur, edited by Hanns-Werner Heister, Claudia Maurer Zenck, and Peter Petersen, 357–84. Frankfurt am Main: Fischer-Taschenbuch-Verlag. ISBN 3-596-10907-8.
  • Maurer Zenck, Claudia. 2002. "Klavierkonzert op. 42". In Arnold Schönberg: Interpretationen seiner Werke, 2 vols., edited by Gerold Wolfgang Gruber and Manfred Wagner, 2: 95-108. Laaber: Laaber-Verlag. ISBN 978-3-89007-506-8.
  • Mazzola, Guerino, and Benedikt Stegemann. 2008. "Hidden Symmetries of Classical Tonality in Schönberg’s Dodecaphonic Compositions". Journal of Mathematics and Music 2, no. 1 (March): 37–51.
  • Newlin, Dika. 1974. "Secret Tonality in Schoenberg's Piano Concerto". Perspectives of New Music 13, no. 1 (Fall-Winter): 137–39.
  • Petersen, Peter. 1990. "'A Grave Situation Was Created': Schönbergs Klavierkonzert von 1942". In Die Wiener Schule und das Hakenkreuz: Das Schicksal der Moderne im gesellschaftspolitischen Kontext des 20. Jahrhunderts, edited by Otto Kolleritsch, 65-9. Studien zur Wertungsforschung 22. Vienna: Universal Edition.

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