Problems With Defining Physical Theatre
The definition of physical theatre is not easy to describe. This is partly due to multiple origins, and partly due to the discomfort that most practitioners have with the definition. In the book Through the Body, author Dymphna Callery suggests that the phrase originated more as a marketing term to describe anything that does not fit within commercial literary theatre. Indeed, this view has considerable support; the so called Phyl theatre based on "Staged Literature."
Many practitioners, such as Lloyd Newson, express a resistance to this term because they feel that physical theatre is used as a "misc." category, which is classified for anything that does not fall neatly into a category of literary dramatic theatre or contemporary dance. For this reason, contemporary theatre including post-modern performance, devised performance, visual performance, and post-dramatic performance, while having their own distinct definitions, are often simply labelled "physical theatre" without any reason other than because they are unusual in some way.
It is also problematic that dance is of a theatrical nature. A dance piece will be called "physical theatre" because it includes elements of spoken word, character, or narrative; it is theatrical and physical but does not necessarily share anything in common with a potential (and nascent) physical theatre tradition.
Read more about this topic: Physical Theatre
Famous quotes containing the words problems with, problems, defining, physical and/or theatre:
“She has problems with separation; he has trouble with unity—problems that make themselves felt in our relationships with our children just as they do in our relations with each other. She pulls for connection; he pushes for separateness. She tends to feel shut out; he tends to feel overwhelmed and intruded upon. It’s one of the reasons why she turns so eagerly to children—especially when they’re very young.”
—Lillian Breslow Rubin (20th century)
“More than a decade after our fellow citizens began bedding down on the sidewalks, their problems continue to seem so intractable that we have begun to do psychologically what government has been incapable of doing programmatically. We bring the numbers down—not by solving the problem, but by deciding it’s their own damn fault.”
—Anna Quindlen (b. 1952)
“The industrial world would be a more peaceful place if workers were called in as collaborators in the process of establishing standards and defining shop practices, matters which surely affect their interests and well-being fully as much as they affect those of employers and consumers.”
—Mary Barnett Gilson (1877–?)
“The most striking aspect of linguistic competence is what we may call the ‘creativity of language,’ that is, the speaker’s ability to produce new sentences, sentences that are immediately understood by other speakers although they bear no physical resemblance to sentences which are ‘familiar.’”
—Noam Chomsky (b. 1928)
“The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
—Georg Wilhelm Friedrich Hegel (1770–1831)