Phillip Boa - Music

Music

In 1985, he founded the independent band Phillip Boa & The Voodooclub. With their album Hair and the single Container Love, they experienced a commercial breakthrough and international recognition in 1989.

Boa's music is influenced by British punk rock and New Wave, its style swings between pop and avantgarde. A continuous charasteric are the catchy and melodic choruses, interrupted or alienated by atmospheric shifts. Thereby the voice of band member Pia Lund and Boa's own throaty singing contrast diametrically. After his most successful album so far, Boaphenia (1993), Boa made a deliberate musical cut to focus on a Metal project. Boa founded the Heavy metal band Voodoocult, consisting of members Dave Lombardo (drums), Chuck Schuldiner (guitar), Waldemar Sorychta (guitar), Mille Petrozza (guitar) and himself as vocalist.

The autumn of 2006 saw Boa and his Voodooclub start their Remastered tour. They consequently only played songs from the three re-published albums Copperfield, Hair and HispaƱola. Moreover, since 2001, they play two or three annual Christmas concerts at the Leipzig Moritzbastei fortress. On 3 August 2007, the album Faking to Blend In was released on Motor Music.

In 2009 the Voodooclub teamed up with Can drummer Jaki Liebezeit, who played percussion and drums on their album "Diamonds Fall". Boa's latest release is called "Loyalty" and brought him a commercial comeback in Germany (no. 13 in the album charts) and some other countries. The album was produced by David Vella and Brian Viglione, who also played drums and other instruments on the album. "Loyalty" was mixed by Ian Grimble and mastered by Frank Arkwright at Abbey Road Studios.

Read more about this topic:  Phillip Boa

Famous quotes containing the word music:

    We live in the mind, in ideas, in fragments. We no longer drink in the wild outer music of the streets—we remember only.
    Henry Miller (1891–1980)

    As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.
    David Byrne (b. 1952)

    The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.
    Thomas Moore (1779–1852)