The Chamber Musician
As chamber musician he played with: - pianists: Badura-Skoda(Mozart and Beethoven Quintet),Pierre-Laurent Aimard(Bartok "Contrasts" and Schumann for Radio France), Planès,Chung(Messiaen Quartet), Rigutto, Dalberto, Luisada, Cassard, Desert, Cabasso, Chaplin, Hugonnard-Roche, Koerner, Paraskivesco, Ciocarlie... - String players: Ruggiero Ricci, Jarry, Brussilowski, Korcia, Charlier, Wallez, Pasquier, Caussé, Henkel, Chiffoleau, Meunier, Strauss, Demarquette, Wieder-Atherton, Gaillard... - Woodwind players: Schellenberger, Leleux, Audin, Gallois, Bernold... Paris Wind Octet... - String quartets: Takacs, Talich, Kocian, Kapralowa, Venus, Vilanow, Alcan, Diabelli, Bernède, Parisi, Rosamonde, Arpeggione, Manfred, Debussy, Lalo, Benaim...
He played sometimes old original clarinets ("period clarinets")like for example Haendel trio for 2 clarinets with 3 keys and horn(Radio France).
Philippe Cuper is also a conductor : Martinu chamber orchestra in Cesky Krumlov festival, Les Virtuoses de l'Opera in Paris, Wind ensembles for Mozart,Dvorak,Holst,Strauss...
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Famous quotes containing the words chamber and/or musician:
“Another day. Deliberations are recessed
In an iron-blue chamber of that afternoon
On which we wore things and looked well at
A slab of business rising behind the stars.”
—John Ashbery (b. 1927)
“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)