Career Highlights
Dunne received two Academy Award nominations for screenwriting: How Green Was My Valley (1941) and David and Bathsheba (1951). He also received a Golden Globe nomination for his 1965 screen adaptation of Irving Stone's novel The Agony and the Ecstasy, as well as several peer awards from the Writers Guild of America (WGA).
Many notable directors worked with Dunne's screenplays, including Carol Reed, John Ford, Jacques Tourneur, Elia Kazan, Otto Preminger, Joseph L. Mankiewicz, and Michael Curtiz, among others.
In 1961, he directed Wild in the Country starring Elvis Presley, from a screenplay by Clifford Odets. In 1962, he directed Lisa, based on the novel The Inspector by Jan de Hartog featuring Stephen Boyd and Dolores Hart, which was nominated for a Golden Globe for Best Picture - Drama.
The 1992 film The Last of the Mohicans, directed by Michael Mann and starring Daniel Day-Lewis, was based on Dunne's 1936 screenplay of the Fenimore Cooper novel.
In addition to screenwriting, Dunne wrote syndicated newspaper articles and was a contributor to The New Yorker and The Atlantic Monthly magazines. He also wrote a stage play, Mr. Dooley's America (1976), based on his father's humor, and another, Politics (1980). His books include Mr Dooley Remembers (1963) and Take Two: A Life in Movies and Politics (1980). His short stories appeared in the New Yorker and his essays have been regular features of Time Magazine, the Los Angeles Times, and the Harvard Review. He was a winner of the Laurel Award (1962) and Valentine Davies Award (1974).
He has a star on the Hollywood Walk of Fame, in front of 6725 Hollywood Blvd., just west of Las Palmas Ave.
Read more about this topic: Philip Dunne (writer)
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)