Doubles Performance Timeline
| Tournament | 1986 | 1987 | 1988 | 1989 | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | SR | W–L |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Grand Slams | ||||||||||||||||||
| Australian Open | NH | A | A | A | 2R | 1R | 2R | 1R | 3R | SF | W | 2R | A | A | A | A | 1 / 8 | 15–7 |
| French Open | A | 1R | 2R | 2R | F | 2R | QF | SF | A | 1R | 3R | 3R | A | A | A | A | 0 / 10 | 19–10 |
| Wimbledon | A | A | 1R | A | 2R | 2R | 1R | A | A | A | A | A | A | A | A | A | 0 / 4 | 2–4 |
| US Open | A | A | A | 3R | 2R | 3R | 1R | A | A | 3R | 1R | 1R | A | A | A | A | 0 / 7 | 7–7 |
| Win–Loss | 0–0 | 0–1 | 1–2 | 3–2 | 8–4 | 4–4 | 4–4 | 4–2 | 2–1 | 6–3 | 8–2 | 3–3 | 0–0 | 0–0 | 0–0 | 0–0 | 1 / 29 | 43–28 |
| ATP Masters Series | ||||||||||||||||||
| Indian Wells | Not MS1 Before 1990 |
1R | 1R | 1R | 1R | 1R | 1R | A | A | A | A | A | A | 0 / 6 | 0–6 | |||
| Miami | 2R | A | QF | QF | A | QF | 3R | 1R | A | A | A | A | 0 / 6 | 12–5 | ||||
| Monte Carlo | W | A | F | W | 1R | 1R | 1R | A | QF | A | A | A | 2 / 7 | 16–4 | ||||
| Rome | 1R | A | 2R | A | A | 2R | 2R | A | A | A | A | A | 0 / 4 | 3–4 | ||||
| Hamburg | 2R | A | 2R | A | A | A | A | A | A | A | A | A | 0 / 2 | 2–2 | ||||
| Canada | 1R | 2R | A | A | 1R | 1R | 2R | A | A | A | A | A | 0 / 5 | 2–5 | ||||
| Cincinnati | 2R | 1R | 1R | W | 2R | 1R | 1R | 1R | 2R | A | A | A | 1 / 9 | 8–7 | ||||
| Madrid (Stuttgart) | QF | A | A | A | A | A | 2R | A | A | A | A | A | 0 / 2 | 2–2 | ||||
| Paris | 1R | A | A | 2R | A | A | QF | A | A | A | A | A | 0 / 3 | 3–3 | ||||
| Win–Loss | N/A | 9–8 | 1–3 | 9–6 | 14–3 | 1–4 | 4–5 | 7–7 | 0–2 | 3–0 | 0–0 | 0–0 | 0–0 | 3 / 44 | 48–38 | |||
| Ranking | 296 | 91 | 46 | 26 | 15 | 63 | 64 | 32 | 115 | 44 | 23 | 220 | 321 | – | 1009 | 1536 | ||
Read more about this topic: Petr Korda
Famous quotes containing the words doubles and/or performance:
“Despots play their part in the works of thinkers. Fettered words are terrible words. The writer doubles and trebles the power of his writing when a ruler imposes silence on the people. Something emerges from that enforced silence, a mysterious fullness which filters through and becomes steely in the thought. Repression in history leads to conciseness in the historian, and the rocklike hardness of much celebrated prose is due to the tempering of the tyrant.”
—Victor Hugo (1802–1885)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (1567–1620)