Works
Peter Schmidt met Brian Eno as a visiting lecturer at Ipswich art school in the late 1960s and later became a friend and collaborator. They found they had both independently arrived at a system of using little quotes and axioms to overcome artistic obstacles. They combined efforts to publish the Oblique Strategies cards in 1975. Brian Eno commented on Schmidt. The Oblique Strategies seem to have been an out growth of Schmidt's own "Thoughts Behind The Thoughts".
Peter Schmidt has two prints from 1971, both called "Flowing in the Right Direction" in the Tate Collection. Five of Schmidt's Monoprints from late 1968 are in the UK Government Art Collection that maintains and exhibits works in various government buildings. Several of these Monoprints can be seen in the James Bond 007 film "Her Majesty's Secret Service".
Schmidt created 1500 different silk screen portraits of Brian Eno, four of which are used on the cover of the LP Taking Tiger Mountain (By Strategy). The Robert Fripp and Brian Eno LP Evening Star has on its cover a Schmidt painting.
Brian Eno included four watercolor prints of Schmidt's work with the first edition of his LP Before and after Science and famously wrote in its liner notes: "Apart from our collaboration on this record, Peter and I have been working together and comparing notes for some time. In 1975 we produced a boxed set of oracle cards called "Oblique Strategies", which were used extensively in the making of this record."
Schmidt created the water color painting, "Portrait of Eno with Allusions" originally considered for the cover of the "Before and After Science" LP.
Many of his later works were abstract/realist landscapes produced and sold in Iceland. His work was collected by the actors Terence Stamp and Julie Christie.
Read more about this topic: Peter Schmidt (artist)
Famous quotes containing the word works:
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)