Work
His poems first appeared in the Summer 1958 and October 1959 issues of Delta. The publication of his poem Metamorphosis in the Times Literary Supplement in January 1960 brought his work to a wider audience. His first collection Once Bitten Twice Bitten was published by Scorpion Press in 1961. Influences on his work include: W. H. Auden, John Ashbery, and Wallace Stevens.. He went through distinct poetic stages, from the epigrams and satires of his early works Once Bitten Twice Bitten, to the elegiac mode of his later ones; The Cost of Seriousness and English Subtitles. In a recorded conversation with his friend Clive James he stated that the "glory of present-day English writing in America, in Australia and in Britain, is what is left over of the old regular metrical pattern and how that can be adapted to the new sense that the main element, the main fixture of poetry is no longer the foot (you know, the iambus or the trochee) but the cadence. It seems that what is very important is to get the best of the old authority, the best of the old discipline along with the best of the new freedom of expression."
In 1983 Porter was a judge in the Man Booker Prize.
Read more about this topic: Peter Porter (poet)
Famous quotes containing the word work:
“But this rough magic
I here abjure, and when I have required
Some heavenly music—which even now I do—
To work mine end upon their senses that
This airy charm is for, I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.”
—William Shakespeare (1564–1616)
“... married women work and neglect their children because the duties of the homemaker become so depreciated that women feel compelled to take a job in order to hold the respect of the community. It is one thing if women work, as many of them must, to help support the family. It is quite another thing—it is destructive of woman’s freedom—if society forces her out of the home and into the labor market in order that she may respect herself and gain the respect of others.”
—Agnes E. Meyer (1887–1970)
“I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.”
—Philip Larkin (1922–1986)