Reception
Carlo Santos of Anime News Network described the plot of Pet Shop of Horrors: Tokyo as "the series' greatest strength but also its weakness: the plot formula makes it easy to dish out just the right amount of human drama, but those familiar with the Pet Shop will see each twist coming—and may even find some of them to be too far-fetched." Santos also felt that the art was "not particularly horrifying," commenting that "it's clear that Akino struggles with any artwork beyond the usual range of attractive young men, fashionable women and the occasional bizarre creature." However, he commended the "well-planned" layout and pacing of the volume. Robin Brenner commented that "Pet Shop of Horrors has always been more about atmosphere than about truly surprising plots... Instead, the pleasure comes from Matsuri Akino's talent for truthful dialogue, attention to detail in the art, and a fine sense of how to portray both laughter and dread."
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)