Plot
Count D is the mysterious caretaker of a pet shop in Los Angeles' Chinatown. Each of D's rare pets, which all have strangely humanoid appearances, comes with a contract with three major points. These points differ for each animal sold (although each animal's contract includes not showing it to anyone), and breaking this contract usually results in dire (and sometimes disturbing) consequences for the buyer, for which the pet shop claims no liability.
Individual chapters of Pet Shop of Horrors are often based on these consequences, and are each written as a stand-alone story, usually introducing one or more new characters in each chapter. With the exception of the main characters and their families, it is rare for a character to carry over to a later chapter, providing the series with a very episodic nature.
The detective Leon Orcot is used to tie the chapters together into an ongoing plot, usually in the form of a subplot within each chapter. Initially he suspects Count D of malicious criminal activity and using the pet shop as a front for drug trafficking. As the series progresses, he learns more about the pet shop and Count D himself, entering into a strange friendship of sorts with the Count as he works to uncover the truth.
Read more about this topic: Pet Shop Of Horrors
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)