Persian Letters - Sources

Sources

Montesquieu’s "sources" are legion, since they doubtless extend to readings and conversations which are modified en route. The impact of Jean Chardin’s Voyages en Perse, to which he owes most of his information about Persia – which is far from superficial – must of course be recognized; he owned the two-volume edition of 1687 and purchased the extended edition in ten volumes in 1720. To a lesser degree, he drew on the Voyages of Jean-Baptiste Tavernier and Paul Rycaut, not to mention many other works which his vast library afforded him. Everything having to do with contemporary France or Paris, on the other hand, comes from his own experience, and from conversations of anecdotes related to him.

Various aspects of the book are doubtless indebted to particular models, of which the most important is Giovanni Paolo Marana’s L’Espion dans les cours des princes chrétiens (Letters Writ by a Turkish Spy), widely known at the time, even though Montesquieu’s characters obviously are Persians and not Turks. While the great popularity of Antoine Galland’s Mille et Une Nuits (The Arabian Nights) contributes, as do the Bible and the Qu’ran, to the general ambiance of oriental subjects, in fact it has almost nothing in common with the Lettres persanes.

Read more about this topic:  Persian Letters

Famous quotes containing the word sources:

    On board ship there are many sources of joy of which the land knows nothing. You may flirt and dance at sixty; and if you are awkward in the turn of a valse, you may put it down to the motion of the ship. You need wear no gloves, and may drink your soda-and-brandy without being ashamed of it.
    Anthony Trollope (1815–1882)

    Even healthy families need outside sources of moral guidance to keep those tensions from imploding—and this means, among other things, a public philosophy of gender equality and concern for child welfare. When instead the larger culture aggrandizes wife beaters, degrades women or nods approvingly at child slappers, the family gets a little more dangerous for everyone, and so, inevitably, does the larger world.
    Barbara Ehrenreich (20th century)

    The sources of poetry are in the spirit seeking completeness.
    Muriel Rukeyser (1913–1980)