Reception
As character, Perry has been well received by both fans and critics. As Cynthia Littleton of Variety magazine wrote, "Perry the platypus is a breakout star from the Disney Channel toon 'Phineas and Ferb.'" The New York Times writer Susan Stewart called him "intrepid." Jean Yoo, a press member for Disney Channel, said that Perry is "suave" and "makes James Bond look like a rank amateur." Aaron H. Bynum of Animator Insider opined that he is "indubitably confident." Carly H. of Scholastic, Inc. declared Perry "pretty darn awesome." Josh Jackson, editor of Paste, described Perry and Doofenshmirtz's relationship as "pitch-perfect."
Certain reviewers have also commented negatively about Perry and his subplot, which Sherry Robinson of the St. Petersburg Times considers "pretty trippy." Kevin McDonough of Sun Coast Today described it as "complicated" and "loosely connected" to the rest of the series, writing that he is "not sure what this accomplishes except to add the noise of explosions to the already constant din of singing and screaming." Ed Liu of Toon Zone feels it is "truly puzzling what Perry the secret agent is doing in this show in the first place." Liu considers his subplot to be a type of "throw everything against the wall and see what sticks" element and writes that "many of the earlier episodes of the show don't manage to do a very good job of balancing the subplot and the main one."
Read more about this topic: Perry The Platypus
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)